‘Spiritron’ was the standout in an unexpected joyous surprise of a Golden Teacher full-length, No Luscious Life. The track captures the band’s effervescent live sound with an addictive mess of punk energy, otherworldly synths and Detroit funk, dancefloor hitting beats.
‘Flight Of Stairs’ begins with a thundering bass, and little time is wasted before the riffs are brought out backed by powerful, crashing drums. It’s Shredd by name, shred by nature as lead vocalist as guitarist Chris Harvie unleashes a relentless assault on his instrument and his distorted howls carry throughout, with a style reminiscent of Thee Oh Sees’ John Dwyer. The end product sounds absolutely massive, benefitting massively from the production of Bruce Rintoul, who has encapsulated the intensity of their riotous live performances.
The industrious trio Be Charlotte, fronted by hyper-talented vocalist Charlotte Brimner brought some damn good vibes early in the the year with ‘One Drop’, a glorious mashup, encompassing indie pop, slick beat boxing and electro. Delivered in an unmistakably Scottish accent, which, refreshingly, Brimner makes no attempts to minimise, with lyrics “filling me with doubt, that I can’t compete with the rest” are surely redundant given this band’s inevitable future success.
Running at only two and a half minutes, ‘We Make Do’ is perfect in its form, from the hook laden chorus, to the timely middle-8 and its radio-talk vocal treatment, it sits perfectly ready for you to press play once more.
Comparable to the all-encompassing black holes drifting through our solar systems, the five-and-a-half-minute track is an immersive experience, holding its listener in one place while dreamy synths and scattered drum beats unravel over introspective lyrical refrains of: “Crush me, I am nothing.” As ‘Black Hole’ culminates into a haunting piano and vocal ending, there is time for reflection of Monoganon’s interstellar journey through galaxies of wonder, psych-pop and gender contemplation.
There’s something out of time about ‘Raining On Hope Street’, a sense of being suspended in a fleeting, wistful dream. This paean to the simple joys of friendship, collaboration and time spent just hanging out in the country and city tugs the heartstrings in all the right places, reminding us that solidarity in any form should be cherished especially in today’s volatile, isolating times.
Dunfermline five-piece FOREIGNFOX used an intersection of opposing genres to make ‘Lights Off, Carry Me Home’ a captivating culmination of despair, hope and optimism. You can hear Jonny Watt’s pain in the track, released as a double A side split with Mt. Doubt; it’s beyond sadness and feels like there’s a need for respite, a desire to return home. ‘Lights Off, Carry Me Home’ is a climatic force in the face of dismay, building to a brutal honesty finale.
Inspired by the disco sounds of 70s-era Philadelphia International Records, AMOR bring their avant-garde disco sensibilities to life through epic soundscapes. The debut single from the supergroup featuring Paul Thomson of Franz Ferdinand fame, Richard Youngs, Luke Fowler and Michael Francis Duch, begins with a Blue Monday-style thumping kick drum, before a light funk instrumental gives way to a full-on funk stomp with Richard Youngs’ Bowie-esque vocal refrain of “calling from paradise/can you get through?” piercing through the heavily-layered synths. Pushing the 15-minute mark this is never going to be considered radio-friendly hit, however, there is enough here to suggest that AMOR will continue to be an ongoing concern amongst the members’ other projects.
Sheer twinkling beauty in an addictive pop shell, ‘Wisteria’ was our pick of Babe’s Kiss & Tell album, however it could have been any number of tracks from that release. This slice of buoyant electronic bliss is special in it’s own right and shows Babe at thieir glimmering best.
The infectious indie pop delivered by Edinburgh four-piece The Spook School has all the honest charm of previous efforts with a punchy joyfulness that has become synonymous with the group. On ‘Still Alive’ dreamy vocals soar over traditionally catchy riffs, perfectly sound-tracking the nostalgia and hope of today’s twenty-somethings. 2017 Spook School ooze confidence, displaying the features of a band ready to emerge from the Glasgow winter gloom with self-assured melodic indie that could warm the coldest punks looking for a new contemporary musical home.