Launching straight into ‘No God’ seems like a perfect introduction to anyone in the audience that is unfamiliar with Le Bon’s work.
Having a released three albums littered with beautiful melodies and contrasting dark themes it gives the crowd taste of what is to come.
Having previously given the crowd an announcement not to record or take photos during the show – firstly in Welsh obviously! – she seems ferociously intent on everyone focusing on the music.
It is immediately apparent that live, Cate Le Bon has beefed up the sound of her songs from her catalogue.
Mug Museum has been pigeonholed as ‘psych-folk’ but to draw upon one genre would be churlish at best, crass at worst.
The rhythm of the show is frenetic, which would also best describe Le Bon’s guitar style, it is very reminiscent of Talking Heads but with a more ‘rock’ sound.
It’s a massive credit that the songs ‘Sister’ and ‘Duke’ are met with instant recognition yet an unfamiliarity from the audience as extra parts and solos are layered into the original sections, this gives the show a heightened unpredictability and keeps the audience entranced.
Glasgow is synonymous with rowdy and boisterous crowds but tonight they are silently mesmerized by Le Bon’s Aglaope-esq performance.
Launching and blending songs effortlessly she doesn’t give the crowd a chance to catch its breath.
Audience interaction is kept to a minimum, which helps maintain the seemless cadence of the show.
Nico has been and inescapable comparison for Le Bon and its easy to see, especially during the slower songs, why people have arrived at that conclusion. It’s also noteworthy that songs such as ‘Cuckoo Through The Walls’ are interspersed and counterbalanced with songs like ‘Are You With Me Now?’
The latter being a massive set highlight with its beautiful uplifting message being played with affection from the band.
Songs from Mug Museum are comforting and somehow, almost tangible live.
This performance is evidently from a singer and band in their stride; the synths and rhythm section are a flawless balance to the boisterous guitar of Le Bon.
Broadcast despite being sold out doesn’t feel uncomfortable either, it is an intimate, albeit loud, show that endeavours to show off not only Le Boon’s talent but depth and range.
Words: Andrew Melrose
