Computer blips and beeps, driving rock patterns and dark, tense horror moments await you on opener ‘Your Control’ a song that rollercoasters through sections with no regards for structure.
‘She Called It Monomania’ on the other hand, is less adventurous – sticking to a simple structure before building towards the climax using a middle eight and a solo section.
For the little difference between the two, it’s more accessible and a better listening experience for it.
Closer ‘You Fade’, as the name suggests, fades out at the end with little warning.
A great track that builds before finding itself suddenly depleted of energy to continue any further.
Altogether it’s good work on The Arrow’s In Flight, but there’s something in the way it’s put together that lets it down.
Words: Matthew Slater
