Tag Archives: James Yorkston

Celtic Connections: James Yorkston, The Pictish Trail, Withered Hand at Mitchell Library, 28/1/16

Tonight’s Celtic Connections show sees three excellent Scottish songwriters – James Yorkston, The Pictish Trail aka Johnny Lynch and Withered Hand aka Dan Wilson – come together in harmony.

Rather than play their sets one after the other, the three songwriters sit onstage together, adding extra instrumentation to one another’s songs and bantering away amiably.

There’s an immense amount of pleasure to be had in their easy camaraderie and the contrasting styles onstage: Yorkston is the most talkative; technically gifted and more traditional in his approach to folk music, weaving tales of shipwrecks and lighthouses over adeptly fingerpicked guitar, Lynch is warm and avuncular and the most left-field leaping off into abstract folktronica, while Wilson is appealingly clumsy, fidgeting awkwardly but professing that he is having a great time.

The set meanders all over the place as the trio take turns to take the lead, but this is all part of the charm.

Yorkston’s ‘Shipwreckers’ is a dark ballad written during a stay in Cork, but the seriousness is undercut by a comedic riff from Lynch about meeting Cliff Richard on a train that almost reduces Yorkston to tears of laughter, while Wilson’s ‘California’ is a strange tale of cough syrup abuse with a catchy Teenage Fanclub-esque guitar figure

‘Believe Me I Know’ was Lynch’s contribution to Jo Mango’s recent collaboration EP, a rumination on the environmental impact of a life on the road from the ex-Fence records boss, who has since relocated to Eigg.

Amidst these reflections on the more challenging aspects of human nature, there’s plenty of fun though.

It might not all be “constant bangers” as Lynch jokingly suggests, but there’s plenty to like in his experimental folktronica, Yorkston’s ambitious harmonies and Wilson’s “religious song about masturbating on a futon”.

Such is their amity that Lynch feels comfortable dropping a verse from the Fresh Prince of Bel Air into Yorkston’s ‘The Lighthouse’, while in the second half of the set Wilson is cajoled into doing the robot.

Describing one track as being inspired by the movie Fargo, you’re never quite sure to what extent, Lynch, the joker, is taking the piss, but just when you think the whole thing might deteriorate into silliness he busts out a stirring solo cover of David Bowie’s ‘Let’s Dance’ that beautifully captures the romantic sentiment of the original.

Three original characters, one perfect venue and a spirit of good natured collaboration; Celtic Connections carries on being full of treasures.

[soundcloud url=”https://api.soundcloud.com/tracks/237529049″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Words: Max Sefton

Eastern Promise returns to Platform

Untitled-3.inddEastern Promise, the two day festival of music from Scotland and beyond, returns to Platform this October.

Previous years have seen performances from King Creosote, The Pastels, To Rococo Rot, Nils Frahm, Lightships and The Monochrome Set to name a few and this year there’s yet another brilliant line up including The Vaselines, Josef Van Wissem, Trembling Bells with Mike Heron and Adam Stafford and more.

Keep an eye on the Facebook event for more confirmation.

Friday, October 4: James Yorkston, Trembling Bells with Mike Heron, Alasdair Roberts, James Blackshaw, Jozef Van Wissem +more to be announced

Saturday, October 5: The Vaselines, Rick Redbeard, Adam Stafford, Grumbling Fur, Ela Orleans +more to be announced

Doors open 7pm

Tickets:
£10/£7.50 per night
£15/£10 weekend
Under 16s free with adult

Booking:
IN PERSON: Platform Box Office
BY PHONE: 0141 276 9696 (opt 1)
ONLINE: From Tickets Scotland