Category Archives: feature

Albums of 2017 (10-1)

Albums 30-21 – 20-11 – 10-1 EPs 30-2120-1110-1

10. Bdy_Prts – Fly Invisible Hero [Aggrocat]

We would say that Fly Invisible Hero is a record that’s seldom seem in this day and age, but we’ve place another album slightly further up the list that BDY_PRTS will no doubt have taken influence from, what we can say is it is certainly a joyous shimmering piece of fresh air the accomplished duo. BDY_PRTS have built a reputation for their colourful live show over recent years, with bright beautiful costume designs and choreographed movements, but what this record proves is that beyond this what shines the brightest is the power of their powerful pop inflected tracks and beautifully hooky harmonies.

9. Golden Teacher – No Luscious Life

Golden Teacher came tumbling back into our ears in a familiar yet chaotic fashion, and it’s really is quite difficult to think of anyone capable of swapping places with them now they’re all but done. No Luscious Life chucks out a barely-tamed mix of housey beats, rhythms and quacks married to sometimes sinisterly spat vocals and the deepest of deep dub: it does bring to mind the marriage of punk and dance of bands, but this is nonetheless pretty original stuff and wild stuff. This is a blinding release: perverse, groovy, contorted and never far away from a shady disco.

8. Out Lines – Conflats [Rock Action]

Out Lines who could loosely be termed a Scottish super group, with Twilight Sad’s James Graham, SAY Album of the Year (2015) award winner Kathryn Joseph and producer Marcus MacKay, who were all drawn together on the back of a project from Platform, a multi-arts and community space in Easterhouse.  The product is Conflats an album of bleak and stark music, totally mesmerising with a gritty reality which draws you in. The album has a strong Scottish/Celtic thread running through it, be that from the unique vocals style, traditional folk elements, Marcus’s percussion, the harmonium or the stripped back nature of the music; there is nothing else out there like it.

7. Meursault – I Will Kill Again [Song, by Toad]

Essentially now the solo project of Neil Pennycook, despite an impressive cast list flitting through the revolving doors, Meursault returned this year with a really rather triumphant album. Usually a more interesting live proposition than on record it seems with I Will Kill Again that things have finally been translated more fully onto wax, capturing the intimate yet primal elements that define the band on stage: the introspective yet powerful darkness apparent in the soul of the main man is given free rein. Beautiful melodies and immaculate production with a hefty dose of reality – can’t ask for much more and one hopes this reincarnation carries on with more releases to come: Meursault come of age and are a very exciting proposition at the moment, very exciting indeed.

6. Breakfast Muff – Eurgh! [Amour Foo]

Breakfast Muff is that chaotic clatter in the corner, the clutter of noise you cannot quite ignore no matter how many times you slam the window shut, not that you’d want to! Eurgh! is a bit like that conversation you had in the smoking area of a clubbing nightspot last weekend, desperate to eloquently express views of social anxiety and repressed demeanour with the attention span of a gold fish. Gender, arousal and pervasion of society rocket under the sirens of beautifully crafted lo-fi punk scuzz across the thirteen songs from the Glasgow three piece.

5. Marnie – Strange Words and Weird Wars [Disco Pinata]

On Strange Words and Weird Wars the intoxicating pop-sheen is spread liberally: unapologetic pop, as it should be: there is a dark undercurrent but a pleasing shimmer outs itself. Pop needs records like this: records that can, in record company speak, hit different markets at once: records that sound great coming from crappy car stereos on the school run but also have a rather heftier undercurrent. Impressive stuff from Helen Marnie: breezy electronic music than can be consumed as just that…or on a number of other levels.

4. Pronto Mama – Any Joy [Electric Honey]

With six multi-instrumentalists you could almost start to think that Any Joy is going to be a little chaotic, yet with a sharp tongue the lyrics are bold, and the music is a beautiful concoction of sounds with each track having a story to tell and it’s own unique character. From solemn and sincere tracks to ones that bounce along and make your feet want to move, Pronto Mama don’t follow convention in any way and this is what makes them a genuinely unique band. They have established their own sound and are able to exhibit their extensive musical ability by pushing the boundaries of various genres. There’s so much being offered in Any Joy you need not look any further for a truly fulfilling album.

3. Spinning Coin – Permo [Geographic]

A surreal, pop-glazed jaunt through everyday life, flavoured with Pastels-style vocals and grounded by a knack for jangly hooks and hazy refrains. Blending indie nostalgia with a fresh take on questions both personal and political, this is DIY at its dreamiest.

2. Sacred Paws – Strike A Match [Rock Action]

Strike A Match captures the magic of the intoxicating musical landscape of Sacred Paws’ live shows, while navigating the melancholy of break ups and millennial mid 20s crises in a uniquely upbeat and comforting way. Moving to incorporate more instruments into their complicated African highlife rhythms and constantly catchy riffs, Sacred Paws bring humour and depth to their already full sound without compromising on Rachel Eggs’ signature guitar sound. Whether your dancing round your living room or trying to suppress a smile on the tube, this really is an album you could fall in love with over and over, and although it was released in winter it remains perfect indie soundtrack to your summer and beyond.

1. Babe – Kiss & Tell [Kartel]

Kiss & Tell, the second full length offering from Babe came too us quite late in the year, but it left quite the impression causing us to pap it slap bang at the top of the list. Whether it’s soft, synth laden R&B goodness, infectious electropop or Gerard Black’s immaculate falsetto Kiss & Tell charms with every bleep and handclap of its existence. Babe have always threatened something brilliant and with Kiss & Tell they’re produced a genre crossing album that’s smart, cohesive, fun and full of addictive charm.

Albums 30-21 – 20-11 – 10-1

Albums of 2017 (20-11)

Albums 30-21 – 20-11 – 10-1 EPs 30-2120-1110-1

20. And Yet It Moves – Free Pass To The Future

With And Yet It Moves you never knew what to expect, from jaw dropping experimental jam-like frenzies to full on aural assaults they are the ever encapsulating live band led by a frontman in Dale Barclay that you just can’t take your eyes off. On record that don’t quite carry that same presence, but is Free Pass To The Future they channel their all encompassing live show as best to can on record, giving touches of every genre you can imagine with a raw energy that explodes him intense bursts of power.

19. MC Almond Milk – Full Day, Cool Times

The postman from sunny Govan returned with the excellent Full Day, Cool Times, that through a number of ups and downs, show a real insight into the mind of this exciting MC. MC Almond Milk mixes wittily crafted lyrics, cheekily Scottish references with at times dreamy at others full on party beats. Lyrically Full Day, Cool Times sees the Glasgow MC take a sardonic look at youth culture, go on a nostalgic journey through his past, as we see him try to make sense of culture and himself. It’s a joyous listen from a very funny yet also very socially aware individual and is well worth delving into.

18. Mogwai – Every Country’s Sun [Rock Action]

Whether crashing tides of art-rock drums over scintillating melodies on ‘Brain Sweeties’, or returning to the familiar slow build of a classic Mogwai anthem on ‘Coolverine’, this record solidifies a leanness of sound that sometimes bursts into reflective expanse. The nebulous haze of intense guitars recedes in gentler clefts of quiet chorale (‘1000 Foot Face’), while tracks like ‘Don’t Believe the Fife’ pound through the sublime intensity that Mogwai do best.

17. The Cosmic Dead – Psych Is Dead [Riot Season]

The Cosmic Dead’s sixth slab of music in recent years opens with a meditative trance, a wash of modulating drone pushed alone with a jarring sparse bass groove bringing to mind the brittle dry tones of Slint’s Spiderland. This is on top of waves and gargles of synth mixed with the effected guitars, the tropical watery arpeggios bring the refreshment to the scene created. This pleasance this comes to an end as the temperature rises to that of a burning comet heading straight for the listener’s temples. Links to their live set can be heard in the closer ‘#FW’, where after the howl of what sounds like “fuck Westminster” the headbanger material comes out; the riff gather a playful side as a bit crushed hooks is typed out as the record draws to a close.

16. The Great Albatross – Asleep In The Kaatskills [LP]

Recorded over four years in various bedrooms in Scotland and California Asleep in the Kaatskills by The Great Albatross is a tremendously coherent and enjoyable album, worth more than the sum of its parts, failing at no point to impress, falling at no point into a pigeonhole and feeling at all times extremely professional. Despite embracing a number of popular sounds and dimensions, the album has a lot of originality, it is experimental without sacrificing its cohesiveness or purpose. Neither too light nor too dark, not too happy or sad, neither too serious nor too jovial, too simple or too complex, the catchy parts aren’t too sickly and the record has popular appeal without sacrificing an ounce of integrity; it is highly emotional but not sappy; combined, the balance of these aspects makes an exceptional debut, incorporating a wide variety of instruments in sensational harmony.

15. Catholic Action – In Memory Of [Modern Sky]

Catholic Action built a stellar reputation over a few years and their debut LP demonstrates their knack for killer choruses, it’s a remarkably well put together collection, with crisp, bright production and a multitude of hooks ringing out like church bells. At their best Catholic Action channel both the humour and the classic power pop songwriting of bands like Cheap Trick or The Cars and it’s when Catholic Action compress themselves into these compact forms that the best moments on In Memory Of arise. It might not be the most coherent album you’ll hear but it full of such joy enthused tracks that it has to be considered one of Scotland’s best in 2017.

14. Annie Booth – An Unforgiving Light [Scottish Fiction/Last Night From Glasgow]

Edinburgh based artist Annie Booth has received critical acclaim and continued to impress in her new release An Unforgiving Light. Booth is on point with not only her song writing, but her capacity to communicate many deep sentiments through her work. An Unforgiving Light will at points send shivers down your spine with beautifully concocted mellow numbers, but Booth shows mastery in her capacity for crossing many plains of musical forms using punchy lyrics, calypso like guitar at points to keep the piece both catchy and addictively pleasing to the ear, all the while Booth’s voice is showcased in her ability to move seamlessly across octaves while maintaining accuracy in pitch and harmony. An Unforgiving Light is the perfect combination of musicianship, meaningful lyrics and originality while still being comforting.

13. Sister John – Returned From Sea [Last Night From Glasgow]

Sister John has spend the last year meticulously constructing a grown up record that touches on pastoral folk to put together a beautiful record with conscientious craftsmanship. Even when the arrangements are sparse, light and airy, they are impeccably constructed; layered up and mixed together. The promotional material for the record makes the bold claim that this is a record that would sit comfortably alongside such classics as Neil Young’s Harvest, The Band’s Music From Big Pink, Fleetwood Mac’s Rumours or Leonard Cohen’s Songs of Love and Hate; the highest compliment you can pay Returned From Sea is that after a few listens this comparison no longer seems so far-fetched.

12. Monoganon – Killmens [Lost Map]

Killmens was another record that maybe hasn’t quite had the chance to settle in before putting this list together, such was the proportions of John B McKenna’s double record opeth that it was huge listen that just gets better on further listens. Monoganon has always been an exciting artist, but with Killmens it appears McKenna has hit real odyssey territory as he breaks down and blows apart basic masculinity and leaves us with an expansive psych pop gem that we won’t stop playing for some time to come.

11. Banana Oil – Banana Oil [Winning Sperm Party]

Banana Oil were an expected yet absolutely intoxicating surprise for 2018, the trio of Joe Howe (Ben Butler & Mousepad), Niall Morris (Sham Gate, LYLO) and Laurie Pitt (Golden Teacher, The Modern Institute) brought about a jazz fuelled post punk explosion, full of entrancing grooves and a raw unpolished edge.

Albums 30-21 – 20-11 – 10-1

Albums of 2017 (30-21)

Albums 30-21 – 20-11 – 10-1 EPs 30-2120-1110-1

30. ULTRAS – ULTRAS [Hello Thor]

The brain child of Over The Wall’s Wav Prentice ULTRAS’ debut record caught our ears through its wide ranging influences, colourful tones and Prentice’s ever enthusiastic impassioned delivery.

29. Sun Rose – The Essential Luxury [Last Night From Glasgow]

The band formerly known as Nevada Base finally got round to putting out an album in 2018 and it’s one that was worth waiting for, it’s an emphatic display electronic pop music that shines with a vital energy that we have now come to expect from LNFG releases.

28. December ‘91 – Starin’ At The Freaks

We’ve come to accept December ’91 as a warm and traditionally folky artist, with a dark and subtle back hand that creeps around a lot of the songs, and some embarrassingly if not upsettingly frank lyrics. Starin’ At The Freaks is much lighter in tone than his previous releases and has a little less crude lyricism, delivering the artist’s best work to date This album seems like a step in a more commercially viable direction for the artist, but this comes without a sacrifice of quality and integrity. There are meaningful twangs of Americana, a well balanced mixture of classical and contemporary elements and a lack of seriousness – with some swearing, morbidity and crassness thrown in for good measure.

27. State Broadcasters – A Different Past [Olive Grove]

Glasgow’s State Broadcasters third record, A Different Past is a record that tries on everyone’s clothes from Teenage Fanclub’s buttoned down power-pop shirt to King Creosote’s rain-lashed greatcoat to the glossy sheen of Dear Catastrophe Waitress era Belle and Sebastian. There’s the sense that each track is part of a wider project, serving to highlight a different facet of the whole, that despite their disparate styles and influences there’s a sense of a common project here and it lends the record a thoughtful feel despite its more outré stylings. A Different Past comes with a manifesto: “embrace the world we live in today rather than revisiting and revising memories of our youth and trying to convince ourselves it really was all great fun,” with State Broadcasters, at least you’ll know there is always something fresh and new around the corner.

26. Washington Irving – August 1914

Folk rockers Washington Irving returned with another album of emotional highs and lows, this time delving into the bloody battles of WWI as inspiration for a set of songs that seek to catalogue love, misery and dread. Having played with Glasgow’s kings of anthemic melancholy Frightened Rabbit as well as the likes of Titus Andronicus and Wintersleep, the gang know how to match their miserabilism to rollocking tunes and August 1914 is certainly their heaviest and least folk-inflected set to date. Appropriately given the newly beefed up sound, August 1914 may well also be the group’s darkest set of material so far, from shout along first single ‘We Are All Going to Die’ to the stormy ‘Petrograd’, and when the tracks spark to life there’s a fiery intensity that few current Scottish bands can match, most notably on the brilliant and righteously angry ‘Faslane Forever’. To make August 1914, Washington Irving travelled to New York seeking new horizons; we’re lucky to have them back.

25. Siobhan Wilson – There Are No Saints [Song, by Toad]

Siobhan Wilson’s There Are No Saints starts off with its titular track, a saintly track that sets the scene beautifully and topically for a particularly nuanced, bold, intelligent and endearing album. What it does extremely well is meld contemporary and classical elements with respect, restraint and understanding; delivering one of the best debut albums we’ve heard recently. For such a highly artistic album, it is not alienating or difficult to engage with; there is no sense of snobbery here. There is nothing about this album that occurs in a particularly linear, predictable or boring way, it is exceptionally progressive and evolving.

24. Campfires In Winter – Ischaemia [Olive Grove]

Campfires In Winter debut album took some time in coming, as such it came at a time when the Croy four-piece are familiar faces on the Glasgow indie rock scene. Ischaemia, the follow up to a multitude of singles and EPs over the past few years, is an interesting synthesis of the sounds they have tried on over the last half a decade. Campfires have built a reputation for emotional live performances that blur the line between windswept folk rock and soaring shoegaze, on Ischaemia they brush up against these constraints with a record that pushes their sound in some more experimental directions, in a record that thrives on brains and a dark humoured outlook on the world.

23. Blue Rose Code – The Water of Leith [Navigator]

We were late to the game for Ross Wilson, aka Blue Rose Code’s acclaimed new album, and as a result maybe it wasn’t given a fair roll of the dice. Still, on the short time we had to spin in was an enchanting experience as Wilson sheds his past and looks to the future in true beautiful terms.

22. Fuzzystar – Telegraphing [Satelite Sounds]

Fuzzystar is the moniker of Andy Thomson and friends, an Edinburgh based gang trafficking in buzzy indie pop; Telegraphing is their debut record and it’s a ten track, tune packed blast that delivers reverb stricken off-kilter  indie pop at it’s best. At points the guitar is big and crunchy at others it’s sleek, while Thomson’s weary vocals lead the way, Telegraphing is a layered, fuzz  packed beauty that will have your heart captured in no time.

21. Best Girl Athlete – Best Girl Athlete [Fitlike]

Katie Buchan, aka Best Girl Athlete, followed up 2015’s Carve Every Word with her new self-titled album, which includes an eclectic mix of tracks displaying her strength in producing a strong and diverse range of music displaying real growth both musically, and lyrically. The album is stronger and sounds a great deal more confident as Buchan plays around with an interesting mix of genres and styles. Best Girl Athlete has moved into a more mature and complete space, through her alluring vocals and striking lyrics that shape each track and with this exceptionally well shaped album shows Buchan’s growing strength as an independent artist, promising impressive things to come in the future. 

Albums 30-21 – 20-11 – 10-1

Announcement: Scottish Fiction End of Year Show

2017 has been a really great special for Scottish Fiction as a label and they will close out the year with a belter of bill that brings together every act they’ve released this year plus one still to be announced special guest, and it’s our pleasure to announce the line up:

Annie Booth

An Unforgiving Light was a very special release indeed as Annie Booth shines outside of her role within Mt. Doubt, from which she has clearly learned a lot; expect puncturing melody and raw lyrics, marked by the contrasts of folk roots and alt-rock backing, with urgent instrumentation contrasted with introspective vocals.

Acrylic

Glasgow based quintet Acrylic create an atmosphere of 80’s gloom and welcome it to modernity, there is something electric about the pace them as a live act that comes with a hot tempered pace to it, with fantastic Mogwai-esque grinding build-ups and volcanic releases.

Mt. Doubt

With two EPs and two split singles 2017 has been a real year of growth for Edinburgh Mt. Doubt, producing what is their most collaborative work to date with plenty of meaty alt-rock sounds, inspired and darkly humorous musings and the irrespirable booming vocal from Leo Bargery; Mt. Doubt are a band that will keep you more than cosy and are a joy in live setting.

Foreignfox

Headlining the night are Dunfermline five-piece Foreignfox, whose chaotic yet awe-inspiring, sky soaring lives set have become a welcome staple for us at Rave Child, their alt-folk come post rock sound will have you revelling along, while Jonny Watt’s distinct Scottish emotive vocals will drag from near to tears to explosive sing-alongs; a powerful prospect.

Scottish Fiction

For the label, 2017 kicked off in April with a split 7″ from Foreignfox and Mt. Doubt, which was just the start as quite poignantly as it’s been a year of collaboration and growth for the label and acts involved.

The first of two EP’s from Mt. Doubt and an EP from Foreignfox quickly followed, before another split release this time from Acrylic and Mt. Doubt.

A full-length release from Annie Booth saw the label join forces with another highly active indie label, Last Night From Glasgow, before we an upcoming second EP from Mt. Doubt due in November.
Here’s what Scottish Fiction founder Neil Wilson had to say:
“It’s been a wave of highs for me and I’m really pleased with the music we’ve released.  I’d always envisaged doing split releases, so it was great to be able to team Mt. Doubt up with both Foreignfox and Acrylic for those.  As for Mt. Doubt’s EP’s, I think they represent a real step forward for the band, both in production and song-writing.  Annie’s album is just something special.  She’s such a talent, and it’s been a privilege to be involved in that.  And Foreignfox’s EP was a real delight.  We paired up the new EP, with a remastered version of their debut, and released both on 12″ vinyl, complete with stunning artwork.  It’s a triumph.”

The show takes place at Glasgow’s Hug and Pint on December 22, you can buy your tickets now from this link: https://scottishfiction.bandcamp.com/merch/scottish-fiction-presents-ticket

Premiere: December ’91 – ‘Starin’ At The Freaks’ [Gold Mold]

We’ve been used to dark, misery drenched sometimes beautiful, sometimes frantic lo-fi punk come alt-rock from Stirling resident Craig Ferrie, aka December ’91.

His new single, the first of two from an upcoming album due December time via Gold Mold Records, ‘Starin’ At The Freaks’ is noticeably less lo-fi, with a lively optimistic sounding constantly driving backdrop that comes with an addictive vocal line that recalls the likes of Kurt Vile’s drawl delivery.

Coming off the back of touring through Canada, and a tour of France and Germany with friend Kenny Bates, aka lefthand, and it’s a bright bit of alternative pop that brings in all the sunshine of the boat journey captured in the video and brings a welcome upbeat addition to the ever growing December ’91 catalogue.

You can catch December ’91 live at any of the below shows:
28/10 Common Records Halloween Show (Glasgow) w/ Chrissy Barnacle, Milktoast, Lovers Turn to Monsters (solo show)
3/11 Flying Duck w/ Jack Butler, The Insomniac Project (full band show)
10/11 Tolbooth (Stirling) w/ Walt Disco, Pillow Talk, The Step (full band show)
28/11 Bar Bloc w/ Graham Costello’s STRATA (solo show)

Premiere: The Animal Mothers – ‘ A Rain Will Come’ [WYRD]

The Animal Mothers are back with punk fuelled two-minute blast of sneered attitude, surfy guitars and pounding rhythm that is ‘A Rain Will Come’ and we bring you your first chance to listen.

The former chaotic duo, now trio, channel old school garage rock vibes delivering a poweful in-your-face delivery that will surely spark them on in a live venue, this explosive is carried on into the single.

The prolific band launches their fifth album The Animal Mothers Must Be Destroyed at The Old Hairdressers on October 20 via WYRD Records and it should be fun sweaty affair, get yourself along.

Introducing New Music Channel: Every Sole Productions

Although it may, not quite, seem the right time to wonder when N-Dubz will be back, or more importantly whether Oasis will ever tour again, it might however be just the right time to create a new online music channel.

That’s what I thought anyway, when we started Every Sole Productions in 2016, I mean it was precisely along those lines really.

You know those days (come on we all have them) when we start to think of Dappy, Tulisa, the other one and then suddenly boom a new online music channel is born.

Ok, I’ll admit another sessions channel is perhaps not the most pressing thing that the world needs right now, I am thinking a baseball cap that falls just short of Donald Trump’s chin is perhaps more crucial.

Nonetheless, the fact is, Every Sole Productions is not something that anyone needs at all, but I reckon it’s something that you want.

And that’s because anything that helps to celebrate music hardly has the taste of Spam… well hopefully not; try it and see.

Every Sole Productions is based in Edinburgh and focuses on scouting acts from a variety of genres.

That means acoustic acts who gurgle folk and collect elbow pads are not really our thing.

Instead we aim to host people who can highlight something progressive within the Edinburgh scene, which albeit is still there in spite of Glasgow’s gloriously established shadow.

To this day the YouTube channel has featured genres across the board from jazz, afro pop, soul and yes even folk, well one or two.

You may even recognise the names of the acts we’ve featured from Emme Woods to Mt. Doubt to Mexfs.

Really the aim of the channel, despite wonderful private gigs for the director, is to help promote acts by giving them a professionally shot video, which is certainly currency if you are trying to get a gig today.

Every Sole Productions aims to be a local talent directory for both gig promoters and fans alike.

It also acts as a platform with standards both cinematically and talent…ly.

Hey! We are not claiming that we can spell or that we can turn water into Buckfast but we sure as hell can Show The Scene.

If you are an act on Every Sole Productions you are going to be seen by hundreds of people.

What’s more is that it’s a consistent music channel, consistent in style and quality.

For us it’s all about bringing you the sweet stuff, which after all may be necessary in these times N-Dubz or not, Trump or not, music or…wait a minute!

There is no space for the word “not” after music!

That’s certain just like the fact that Every Sole Productions is committed to promoting the scene.

So if you fancy it, why don’t you go ahead subscribe to the channel and Share Some Sole, you know we’ll be doing it.

You can find Every Sole Productions and new artists on YouTube and Facebook.

https://www.youtube.com/channel/UCrmYvNnhmfY5KwcFqJ3dTjA

https://www.facebook.com/soleproductions/

Words: Mhairi MacDonald

Ten acts to check out at Tenement Trail 2017

Tenement Trail is back for another year and as they spread a ridiculous amount of bands over 10 venues and over nine hours we made some hard choices for who we think you should go see:

Catholic Action
King Tut’s, 11.15-11.45

This one promises to be a packed one so get yourself along early, not only cos Catholic Action are the last band at the whole festival and have a whole time slot to themselves, but also cos they’re one of the hottest property’s in the UK just now. The Glasgow four-piece are less than a month away from releasing their debut album and from the exuberant, glam tinged guitar pop the have unleashed to date the full could be the thing that ushers them to the huge audiences that have been edging to for a while.

Shredd
Flat 0/1, 9.45-10.15

With a live set that goes from Ty Seagall channeling garage pop to full on heavy riffage Shredd have carved out a reputation for themselves as one of the best live acts in Scotland just now. Expect to see the band being surfed over your head at some point; expect to have the time of your life.

Spinning Coin
Nice N Sleazy, 9.30-10

Spinning Coin’s DIY pop aesthetic has you falling in love with it from the instant you hear it. From luscious melodies to hazy garage, the somewhat Glasgow indie supergroup adds to the right amount of nostalgia and nods to their home town to have you flustered and the lovingly crafted songwriting does the rest.

The Great Albatross
Broadcast, 9-9.30

Wesley Chung’s subtle and beautiful acoustic tracks have been brought to real life as a full five-piece band now puts together The Great Albatross. His recorded material is a transfixing road trip of coherent splendor, however live there’s something vital about the tracks that give them a true glory.

Calva Louise
The Priory, 8.15-8.45

Based in London, but hailing from France, Venezuela and New Zealand, Calva Louise is a band with a high octane, punk attitude of a live show. They may only have a limited amount of music available online, however their surfy shredding, garage rock riffs and squealing guitars make them a live prospect not to be missed.

Edwin Organ
The Garage Attic Bar, 7.45-8.15

Variation is key to Edwin Organ’s sound, still everything he touches comes out golden, his slick, but not unbearably polished production gives his head nodding organic left-field electronica a real desirable sheen. At points it’s super catchy at others a welcoming hug that fuses soul and jazz elements with obvious dance knowledge.

ST. MARTiiNS
Nice N Sleazy, 7.30-8

I’ve not had the opportunity to see ST. MARTiiNS in a live setting as of yet, but their luscious dreamy pop sound has me more than looking to change this this weekend. From our previous reports you could see a set of tropical sunshine or sultry wonder, but either way this duo are definitely ones to keep your eyes peeled for.

Emme Woods
The Garage, 6.30-7

Emme Woods is a talented and witty songwriter with an addictively gruff vocal that transforms her live show from a punk show to a pink swilling blues-rock powerhouse. She also has her wee dog on stage with at all times, you had us at Bubbles!

Wuh Oh
Nice N Sleazy, 5.30-6

While Pete Ferguson aka Wuh Oh’s recorded material is a headily eclectic array of catchy samples, glitchy synths and a peculiar yet entrancing set of time signatures, his live performance takes up a notch both musically and in his bewitching presence; it’s playful, infectious and will get you dancing well worth catching.

Stevie Parker
Broadcast, 5-5.30

Reports would suggest that Stevie Parker’s live show is an immersive, mesmeric experience and that’s what we fully expect from her recorded material, a delicately crafted emotional repertoire powered by Parker’s rich haunted tones that soar with enviable ethereal qualities.

Premiere: Medicine Men – ‘Bruised Peach’ [Last Night From Glasgow]

‘Bruised Peach’ is the second single from Medicine Men’s debut album, Into The Light, and we’re the first to bring you the brand new video for the track.

A stomping dancefloor swagger emits over the track as a whole with slow burning verses that explode into a chorus that demands attention.

The video emits harrowing images of alien invasion and a digitalised Donald Trump in space, all decorated with bright neons and Technicolor highlights.

The track is an intelligently structured indie dancefloor filling effort with touches of krautrock that will be sure to get attention from fans of the likes of Kasabian.

Medicine Men with play Tenement TV’s Discover Stage at Electric Field this weekend, Into The Light is available now via Last Night From Glasgow.

Ones to Watch: Electric Fields 2017

Electric Fields was one of the highlights of last year’s festival season, a bargain price and some stellar acts combined with a fully fledged but also kid friendly festival atmosphere to make it a festival that won’t have many people saying no to.

This year they look to capitalise on the absense of T in the Park, albeit the Glasgow based replacement TRNSMT seems to have been a huge success, but not quite the same market as Electric Fields in aiming at.

This year’s headliners, the even dependable and super popular Frightened Rabbit will have everyone crying, cheering and singing along while Dizzee Rascal will almost undoubtedly bring the party closing Saturday night’s activities.

Add to that a stellar backing cast of superb acts that make up the mainstage stage and other stage headliner affairs; over the Atlantic Band of Horses would headline a festival of this size, while The Jesus and Mary and Arab Strap’s reputations are formidable.

Our ones to watch are coming from further down the bill looking at local up and comers and smaller touring acts.

Friday:

Marnie (Main Stage 16.15)

Glasgow based Helen Marnie may be better known for her work Liverpool electro-pop maestros Ladytron, but her solo work is every bit as glimmering. Her latest album Strange Words and Weird Wars is a breezy joy that thrills on a pop level without ever becoming too easy.

[soundcloud url=”https://api.soundcloud.com/tracks/297083424″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

 

Anna Meredith (Discover Stage 18.30)

Last years SAY Award winner is a special talent, the composer, performer and musician seem to emerge into the pop world out of the blue with her Varmints album last year, an all encompassing release that saw jazz and electronic sounds combined to make a record of bewildering propositions that is even better experienced in a live setting.

[soundcloud url=”https://api.soundcloud.com/tracks/274875521″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

And Yet It Moves (Redeemer Stage 19.00)

And Yet It Moves have been bubbling away for over a year now, evolving, engulfing and enhancing with each visit, they seem a different band at every visit. The now Berlin based band led by the powerful live presence of Dale Barclay are set to take the festival stage as their own, expect something haunting, something powerful, something that you won’t forget in a hurry.

[soundcloud url=”https://api.soundcloud.com/tracks/292328706″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

Modern Studies (Discover Stage 14.30)

Steeped in rural folk, chamber pop super group from Perthshire-via-Glasgow-via Yorkshire Modern Studies paint delicate experimental landscapes that hypnotise and engross. They’re a band that promise lots and seem set to deliver, Electric Fields may provide the stage their beautiful recorded music needs.

[soundcloud url=”https://api.soundcloud.com/tracks/332075815″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

Savage Mansion (Redeemer Stage 16.00)

One of the biggest prospects of Scottish guitar music at present Savage Mansion are band that individually have cut their teeth in a collection of impressive acts, but seem to have came together to create something that captures the moment with sultry beauty. The four-piece deliver fuzzy guitars, bouncy drums and catchy basslines coupled with Craig Angus’ (formerly of Poor Things) coolly delivered, conversational vocals that give an effortless pop aesthetic and chilled out reflection that recall the like of Parquet Courts and Mac DeMarco.

[soundcloud url=”https://api.soundcloud.com/tracks/315086271″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Saturday

Aldous Harding (Discover Stage 15.15)

Compelling and theatrical New Zealander Aldous Harding has the sort of bewitching live show that will leave you lost for words. The recently signed to 4AD performer’s show can be as powerful as it is delicate, and her captivating charm and atmospheric tracks will be well worth getting along for.

[soundcloud url=”https://api.soundcloud.com/tracks/222723655″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

Sacred Paws (Main Stage 13.30)

Another SAY Award winner, this time the current holders Sacred Paws bring a fun energy to any stage, Rachel Aggs’ undeniable talent and unique tropical guitar sound has been a fixture of her work for years now and Sacred Paws are every bit as exciting as her other projects Shopping and Trash Kit. Add Eilidh Rodgers’ playful percussion and interweaving backing vocals, plus a touch of subtle brass you’ve got a band that can bring the sunshine to any festival.

[soundcloud url=”https://api.soundcloud.com/tracks/290052682″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

Whyte Horses (Main Stage 14.30)

Enigmatic psych group Whyte Horses have a eclectic array of influences, filtering through a modernist take of fuzzy tropical sounds, Krautrock vibes, 60s girl group pop, psychedelia and much more Whyte Horses present a spirally sound that will sending you away to dreamy hypnotic daze while having all the pop presence to keep the energy flowing. Initially imaged as the band to complete the catalogue of band leader Dom Thomas’ Finders Keepers label the band have evolved into something that simply can’t just remain a side project.

[soundcloud url=”https://api.soundcloud.com/tracks/319250142″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

Edwin Organ (Redeemer Stage 15.00)

Variation seems to be key to Edwin Organ’s game, still everything he touches seems to come out golden, his slick, but not unbearably polished production gives his head nodding organic left-field electronica. At points it’s super catchy at others a welcoming hug that fuses soul and jazz elements with obvious dance knowledge, expect to get lost in this one.

[soundcloud url=”https://api.soundcloud.com/tracks/295306464″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

 

Brat and the Bonemen (Discover Stage 12.00)

We don’t know much about these guys and have heard very little, but what we have heard for the Dumfries & Galloway based act suggests that they’ll be an explosive live act that expel a raucous distorted post punk energy that will be brimming with attitude.

[soundcloud url=”https://api.soundcloud.com/tracks/283343010″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

And some honourable mentions go to This Is The Kit, Skjor, Stillhound, Future Get Down.

And here’s some of the bigger acts on the bill that we think are definitely worth getting down for: Glass Animals, Real Estate, Foxygen, Nothing, Car Seat Headrest, Shogun, British Sea Power.